Chicago

SMWCHICAGO 2011

Questions, Comments, Complaints, and Your Brand

Smart brands have moved beyond simply opening up themselves to transparent customer feedback through social media; they’re now figuring out how to manage the customer conversation more strategically. At Social Media Week Chicago on September 22, three companies show you how they do just that.

United Airlines: Brand Protection through Engagement

Lora O’Riordan, manager of social marketing programs for United Airlines, shares how United has used social to manage crises. As she puts it, “Crisis management is an important part of our social media strategy. On any given day, we walk into the office and don’t know what kind of circumstance we’re going to encounter.”

For instance, in December 2010, a blizzard rocked Europe and ravaged New York, one of the most heavily congested air centers in the world. The storm ultimately disrupted all eight United Airlines hubs in North America, affecting 2,500 United Airlines flights and 2,000 flights for Continental (which had recently merged with United).

The experience was trying.

“At the time, we were still setting up our social media plans and strategies at United,” she says, “and we sorting out a more refined crisis management plan at Continental.”

On top of that, the magnitude of the storm was unexpected. “We just ran out of planes and space for flying,” she says. “I don’t think our response was a success.”

By contrast, when Hurricane Irene struck the eastern seaboard of the United States, United Airlines used social media more effectively to communicate with people and provide customer care.

The reason: United was able to anticipate and respond to the storm from an operational standpoint, which made it easier for United to handle the communications required to handle the fall-out of the hurricane. And both United and Continental were more prepared with social media response programs in place.

“From a communications standpoint, we could create a before, during, and after plan. We had a communications bridge line set up and could answer people’s questions as best as we could.”

 

Another type of “storm” that United must manage: flaming tweets from angry customers, especially celebrities and high-profile executives with large Twitter followers.

 

“The tweet from a celebrity becomes a crisis as the retweets multiply. On top of that, we are an airline — people like to pick on us.”

 

The key to addressing these Twitter storms is exercising judgment: is the tweet a valid issue requesting a response or a rhetorical statement?

 

She adds, “Celebrities and high-profile people create their own type of crisis. But if you have a crisis in the moment and you have zero followers, I’m going to listen to you.”

 

Unilever: Listening and Responding

 

Unilever has an interesting challenge, as articulated by Christine Cea, director of marketing communications: protecting the reputation for a huge portfolio of 400 brands ranging from Axe to Lipton.

 

It’s tempting to be overwhelmed – but Unilever is actually quite active. How? Answer: by empowering Unilever brands to engage with customers through tools like a Social Engagement Playbook and a listening dashboard.

 

The Social Engagement Playbook was created based on best practices especially from Unilever brands Axe, Ben & Jerry’s and Dove. Using the playbook and its own listening dashboard, Unilever can answer questions like:

 

What are people saying about our brands?

 

Who are our fans and influencers?

 

Which comments require a response, and which comments are simply rhetorical?

 

What should our voice be?

 

For instance, Axe has a very open and playful voice. The Axe voice uses terms like guys and girls to describe males and females. So, Axe responds to posts on its Facebook wall using a distinctive voice.

 

“Today, the act of listening is an equity statement,” she says. “If you are not listening in a concerted basis and responding in a concerted way, you become in the consumer’s eyes an ostrich with its head in the sand.”

 

Viewpoints: Helping Brands Find Advocates through Reviews

 

Viewpoints is a ratings review service for consumer products that manages community efforts for Sears Holdings.

 

Says Matt Moog, founder and CEO, “Twitter and Facebook are largely streams of content that appear and dissipate. Consumer reviews are longer lasting. Each time a review is written, it will be ready 50 times that year by a consumer.” So how to plan for the reality of customer reviews?

 

1. Identify and track specific issues to gain insight into the source of potential problems.

 

2. Reach out to “fans” and offer them some recognition.

 

3. Respond to complaints and involve customer service.

 

4. Promote your customer service approach.

 

Viewpoints client Procter and Gamble knows how to create fans and learn from its products from reviews, too. More than 3,700 people have reviewed the Bounce Dryer Bar – and not by accident, either. In fact, Proctor and Gamble asked Viewpoints to encourage those reviews, both negative and positive.

 

P&G worked with Viewpoints to send samples of the Bounce Dryer Bar to customers for them to review. And nine out of 10 people did so. P&G got feedback, such as “varies in lifespan depending on use” and “doesn’t stick well” on the negative side to praises about its scent on the positive side.

 

“Proctor and Gamble recognizes that reviewers form a fantastic focus group to understand what is right and wrong with your product, and what needs to be improved.”

 

And, of course, brands like P&G and Olympic Paint can call out positive reviews for their own advertising.

 

“If you want some action from a brand,” he says. “Review it.”

What’s the Big Idea?

Reintroducing a brand to a new demographic is not exactly small peanuts. Companies spend millions of dollars researching, testing and launching campaigns like this. But Jennifer Lucente, New Media Manager for the Chicago Architecture Foundation, showed us sometimes all you need is a big idea and a Twitter account.

The Chicago Architecture Foundation, or CAF, was founded in 1966. The foundation hosts 85 tours around Chicago, all lead by 450 volunteer docents. You are probably thinking Wow! 85 tours? I had no idea. That’s exactly the problem Jennifer was facing. The CAF was only reaching seniors and, while Jennifer assured us this demographic is fantastic; she wanted to reach the younger audience as well. In what she calls a personal brainstorming session, Jennifer came up with the Around Chicago in 85 Tours Challenge.

Jennifer began her personal journey to complete all 85 tours the CAF offers in one year and broadcasted it to the world, or at least to her modest following on Twitter, Facebook and CAF blog. Without the help of a PR agency and no budget for advertising, her story was featured in publications like Crain’s, Business Week and Fast Company, all because of her genuine efforts on social media. People started to join her during tours and take on the challenge themselves. That year, the CAF had the best attendance and revenue in its history! Through her engagement with the community, Jennifer also helped increase their Twitter followers by 77% and Facebook Likes by almost 200%. The best part? Her total costs were around $300.

At the end of it all, Jennifer truly did see her name in lights. The historic Chicago Theatre offered to host a party celebrating the completion of the Around Chicago in 85 Tours Challenge and put Jennifer’s name, along with a congratulatory message, on the marquis.

So what’s going to be your big idea?

Entertainers Finish First: Tucker Max on Twitter

“Does everybody know who Tucker Max is?” host Julia Allison asked the audience of mostly iPad-equipped twenty-somethings at Social Media Week on Tuesday evening. “Why else would you be in the basement of the Hyatt?” said Max, quick to assure his interviewer that everyone in the audience had come to hear solid, if not offensive, advice from the self-proclaimed asshole whose debut story collection “I Hope They Serve Beer in Hell” was made into a movie in 2009. The University of Chicago alum who turns 36 next week got into character by taking the stage with his own personal prop: a bottle of Fat Tire beer.

During his hour-long talk, Max repeatedly harped on the evils of corporate America (and the banality of their corresponding Twitter feeds), but was quick to defend his own authenticity and transparency as a prominent personality in social media. For a guy  that claims he’s simply trying to be himself, Max certainly takes a calculated and highly self-aware approach to his Twitter feed.

“The point of a Twitter feed is that people want to be entertained,” he said, adding “if it’s not funny for me, I don’t post it.” And though he insisted he’s not trying to sell anything by using social media, his Twitter feed shows that he has no problem with shamelessly plugging his new book in an August 16th tweet. He also admitted to monitoring the analytics of his feed to track exactly when his followers were most interested in his 140 characters or less.

He has over 165,000 Twitter followers, but Max, who prides himself on having made a name for himself “outside of the system” as he puts it, is perhaps his own biggest fan. When an audience member asked about the negative feedback he receives from his not-so-friendly Tweets, Max quoted one of his heroes, Eminem: “I love being hated because it lets me know I made it.”

While touting the virtues of his “spot-on” Twitter feed, Max advised that if you’re not communicating something that other people care about, “then it’s just self-indulgent” (an ironic statement coming from a guy who makes his living off indulging in his own detailed accounts of sex, exploitation, and otherwise bad behavior).

By his own standards of reasoning, entertainers are the only people entitled to such self-indulgence, and only in the name of hilarity, as the title of Max’s third book, due out in February, suggests. But at Social Media Week Chicago Tuesday night, hilarity did not ensue. Instead of laughing, I was really hoping they served beer in the basement of the Hyatt so I could take a drink for every time Tucker Max said “I’m an entertainer.”

–Jennifer Swann

3 Best Practices for Like-Gating Your Facebook Fan Page

One of the many gripes about Facebook “like-gating” (i.e. requiring someone to like your Facebook page in order to see certain content) is that it’s considered the social media equivalent to link baiting. For many brands, this is exactly the case. But only offering up a one-time coupon or badass sweepstakes prize isn’t doing your brand any favors in the long run.

When Taco Bell offered up free tacos under its like-gate back in February, how much did the brand really benefit? Taco Bell gained 250,000 new fans, but it also had to shell out $.99 to $1.09 per taco. If only 30 percent activated the coupon, that’s a potential loss of $81,750. But here’s where it starts to add up. In addition to hard costs, consider the staffing and technology resources Taco Bell used to fulfill this campaign. And out of all Taco Bells’ new fans, how many were repeat customers?

Establishing long-lasting relationships with your brand’s Facebook community should be the ultimate goal. Why waste time and resources on a like-gating campaign if the costs don’t outweigh the benefits? Below are three best practices for like-gating your fan page without wasting your time or looking like an e-marketing asshole.

1) Avoid gimmicks. Stay true to your brand.

Like-gating shouldn’t just be about the numbers; it should be about engagement. You want to grab the attention of Facebook users who are truly interested in your brand and what it has to offer. This will pay off when your like-gating campaign is over. According to a study by ExactTarget and CoTweet, 26 percent of Facebook users said they only liked a company to take advantage of a one-time offer. To avoid this drop-off, consider offering up something that’s unique to your company. When the New Yorker like-gated its Facebook page, the magazine engaged readers with a special 12,000-word piece by frequent contributor Jonathan Franzen. According to Poynter’s Damon Kiesow, “the Franzen story was chosen because it represents the type of writing The New Yorker is known for. It is therefore likely to attract readers who will be interested in the magazine long-term.” Even if your campaign only attracts 5 new fans, it’s a win if those users are your brand’s target audience.

2) Strive for authenticity and exclusivity.

If the content you’re providing under the like-gate can be found somewhere else on the Web, what’s the point? To truly entice your audience, you’ve got to give fans something authentic and exclusive. This past April, Self magazine like-gated a live chat with cover girl Kim Kardashian. In doing so, Self was providing its fan base with an insider experience that they couldn’t get elsewhere. Jennifer Lopez did something similar when she asked users to like an upcoming single on her Facebook page. Once they liked the song, fans could download it from iTunes before the official release date. Only 2,000 Facebook users liked the tune—compared to Taco Bell’s 250,000 new fans—but I would argue that Jennifer Lopez’s likes were more valuable. These fans were seeking out something they couldn’t get anywhere else, unlike a $0.99 taco. The result: truly qualified leads.

3) Watch your post-campaign engagement.

An April study by Visibli found that overall engagement levels for brands and media companies decrease as the number of fans increase. Once your like-gate campaign is over, it’s important to keep your new (and old) fans engaged by sticking to best practices, some of which include:

  • Ask your fans a question or for their opinion when you post
  • Provide calls to action with polls, quizzes, fill in the blank posts, etc.
  • Clean up your posts by revising headlines and descriptions
  • Getting rid of clutter will make your posts standout in the news feed
  • Keep your posts simple

You’ll know the above best practices are working by monitoring your like rates, comment rates, and engagement rates at www.facebook.com/insights.

Here are some other ideas to consider from a recent Buddy Media analysis of Facebook pages from 100 of the world’s largest retail brands during a six-month period:

  • Posts made between 8 p.m. and 7 a.m. receive 20% more user engagement
  • Be sure to post on Wednesdays. Fan engagement is 8% above average
  • Posts with 80 characters or less receive 66% higher engagement
  • Fill in the blank posts receive 9 times more comments than other posts

In the end, knowing your audience and testing out ideas will win out over other brands’ tips and tricks. If you notice something’s not working on your like-gate, stop. If you want to try something different, do it. Just remember to back everything up with data, and most importantly, remain true to your brand. Your fans will thank you.

Are You Sure You Want to Know ROI?

Demonstrating the return on investment, or ROI, for social media is a challenge every marketer faces.  But Scot Wheeler, Marketing Science Director, and Shaina Boone, VP of Marketing Science at Critical Mass, question whether ROI is what your senior management really wants to know.

ROI has almost become synonymous with value.  So is your CEO interested in the value of social media or the actual ROI?  It really depends on what they are willing to put into it in terms of time and budget.  If they truly are interested in the ROI, Critical Mass says there are three secrets to success:

1.  You have to have clearly defined business, marketing and consumer objectives

2. You need adoption, belief and trust in your objectives

3. You need to set targets and goals for your objective

Trying to measure ROI without clear objectives already set is quite literally a crapshoot.  Instead, use your first six months to a year on social media to monitor activity and set benchmarks.  This will help you estimate the returns you should expect moving forward.

As websites became more ubiquitous and necessary, people didn’t worry about proving their ROI.  Critical Mass hopes that as social media becomes a more mature channel, the same thing will occur.  If that doesn’t happen, Shaina jokes, you can easily talk someone out of wanting to know the ROI by showing them the process to find it.

Tucker Max. I’m Impressed.

I will be the first to admit that when I saw my assignment to blog for tonight’s conversation with Tucker Max, I rolled my eyes. I can assure you- I never expected to walk out of tonight’s Social Media Week event actually being highly impressed with this keynote speaker.

Now, don’t get me wrong- I will give credit where credit is due. Clearly, the guy can write-I’ve read his blog, excerpts from I Hope They Serve Beer in Hell, and even a few of his tweets. Not only is his writing entertaining, but it’s more than a little well-written.

It was more the prospect of having to put up with his personality that caused my instinctive eye roll. I mean, it’s no secret that Tucker Max is known for partying, womanizing… and having an absolute BLAST along the way. Therefore, when he sauntered into the Hyatt Regency ballroom for his interview with Julia Allison, beer bottle in hand, I knew it was going to be one long hour.

I was wrong.

As the conversation unfolded, I found myself constantly impressed with Tucker’s insight and wisdom regarding social media and personal branding. Coming from a guy who only follows 53 Twitter handles, yet has 167,000+ Twitter followers, it’s apparent he’s doing something right navigating that social media landscape. By understanding that he must respect the attention of his fans, while always keeping in mind why his audience cares about what he has to say, he’s been able continuously effectively build upon his reputation.

Although his personality can be arguably contentious, Tucker clarified that he never tries to be hated or controversial… he just tries to be funny. In the end, though, there will always be those haters. But Tucker never lets those haters get to him, because they serve as proof that he remains relevant and important enough to challenge them.

When the conversation ventured to the topic of corporate social media, Tucker certainly did not mince words. In order for a company or brand to be successful in today’s society, it must be able to show people how their products create and add value. However, most corporations are purely interested in selling stuff to their audiences, resulting in a lack of authenticity that is crucial in order to effectively appeal to a social media audience. As such, Tucker equated corporate social media with “bullsh*t”.

I think we can safely say that Tucker Max rarely, if ever, follows brands or CEOs on Twitter.

Nor does he follow people one would “associate” with the stereotypical Tucker Max personality (read: hot girls).  His response? “The only people who follow hot girls to sleep with them are pro athletes.”

Gotta get some Tucker Max-isms in there somehow, right?

SMW Chicago Draws Nearly 3,000 Online Mentions on Day One

 

5 days
30 venues
80 events that include 20 Livestreamed sessions
200 speakers and panelists
6,000 registered attendees

For the first-time ever, Social Media Week has arrived in Chicago and it’s already taking the windy city by storm!  

Join Social Media Week city partners, Zocalo Group and the Chicago Tribune, along with area businesses, brands, associations, non-profits, government organizations and universities as they host a wide array of exciting presentations and compelling discussions on social media and mobile marketing. Events cover topics that range from the role of social media in business to social activism to protecting your online reputation. Learn best practices and upcoming trends about the evolving social landscape and gain access to some of today’s industry thought leaders.

Interested in joining this Fall’s biggest event? There’s still time to register for these can’t miss panels, parties and keynotes. Registration is free and open to the public, with a complete program schedule found at www.socialmediaweek.org/chicago. For those events that you can’t make it to, many of the sessions can be found online by visiting Social Media Weeks’s Livestream channel at www.livestream.com/socialmediaweek.

For all the latest on news, photos and video related to Social Media Week Chicago, visit one of the sites below and join the conversation!

Facebook: www.facebook.com/SMWChicago
Twitter: www.Twitter.com/smwchicago    (@SMWChicago)
Tumblr: www.smwchicago.tumblr.com/
YouTube: www.youtube.com/socialmediaweek
Vimeo: www.vimeo.com/smwchicago
Slide Share: www.slideshare.net/SMWChicago

The new rules of publishing

The traditional book publishing industry as we know it is broken. But amid the dysfunction, authors have an opportunity to find ways to publish their ideas. During Social Media Week Chicago on September 19, representatives from alternative publishing and marketing resources share some examples during the session, “The New Rules of Publishing: From Digital to Beyond.”

Ross Kimbarovsky of crowdSPRING discusses how authors are using crowdSPRING as a marketplace for creative assets ranging from book covers to logos.  crowdSPRING taps into its network of more than 100,00 creatives to crowdsource the best idea for the author.
crowdSPRING partners with companies like Amazon for the actual marketing of your book.

“One of the mistakes people make with troubled industries is to apply existing business models that don’t work,” Ross says.

For instance, the conventional wisdom of publishing says authors must work with publishers to compete for shelf space on bookstores – a mindset that no longer holds true given the demise of bookstores.

Moreover, consumers can get access to free content from blogs instead of paying for books.

“We are no longer competing for bookshelf space but for mind share,” he asserts.

So you have to try different things: for instance, by keeping your name visible through blogging (if you can’t beat them, co-opt them). Or cracking into a genre by selling PDF downloads of a book cheaply to attract readers.

“Most people are finding about your work on Amazon,” he says. “And they will look for reviews of your book to make a judgment. So invest your time to build credibility with others by sharing your work for them to review.”

Lise Marinelli, president of Windy City Publishers, shares how her company helps authors (especially unknowns) develop and market books.

“We are partners with our authors. If they don’t sell books, we don’t go anywhere,” she explains. “I help marketers think of marketing their book even as they are writing it.”

By contrast, Melissa Giovagnoli Wilson, founder and CEO of Networlding, mentions that her company focuses on the use of social media and marketing to help more established thought leaders find their audiences.

Both Melissa and Lise stress the importance for authors to become their own marketers, whether you are an unknown or relatively high-profile content creator.

According to Lise, “When I sit down with an author who wants to collaborate with us, one of my first questions I ask that author is this: ‘How do you describe your book in one sentence?’” The question forces authors to focus on articulating a sales pitch for their book.

Her message: authors are more empowered than ever before, thanks partly to the rise of social media, which gives writers platforms to create communities of readers. But only authors who are willing to aggressively promote themselves will benefit.

The experts espouse these new rules of publishing, as articulated by Melissa:

1. You are in control. You have the power to do your own marketing and the tools to build a community of fans.

2. Don’t underestimate the power of social media. “You can’t be an author without being a participant in social media.”

3. An eBook is a necessary component of your publishing strategy.

 4. Think digitally. eBook sales are up 167 percent in 2011. Meantime, sales for hardcovers are down. Amazon killed Borders, and, according to Ross Kimbarovsky, Barnes and Noble will die. No traditional bookseller can compete with the digital world.

5. Bookstrap. Don’t write a book and then market. When you are writing a book, get started promoting it. Create your book cover before the book is done.

6. Build a networld of influencers and businesses – in other words, find a business network that delivers highest quality return for the lowest cost.

7. Keep seeking the new edge. Follow thought leaders like Seth Godin for innovative ideas like the Seth Godin Domino Project.

“You have to build your platform,” says Lise. “Especially if you are an unknown first-time author, you have to build your audience. Figure out how to find readers and give them a reason to follow you. Give away information on a blog, for instance. You can entertain. You can educate. But you need to give something away.”

Don’t be Barbara

The Internet is a scary thing for some people.  But Mark Britton, CEO of Avvo.com, assured us during They Said What?! How to Manage Your Online Reputation and Tackle Defamation Online, our opinion should not be skewed by the 90’s hit The Net.  International internet terrorists are not taking our information and plotting against our lives. The Internet is actually taking us back in time and closing the gap between people and products.  Before websites, companies relied on word of mouth marketing to grow their business, and those owners who interacted with their community were the most successful.  Thanks to Web 2.0, the same is true today; it’s just happening on a different platform.

A large factor in closing the gap between people and products is reviews.  If you have a product or offer a service, of any kind, you will be rated and reviewed.  This is a fact.  It’s what you do with those reviews that sets you apart from competition and defines your online reputation.

Mark, who founded and owns a review website, shared a story about a coastline erosion research project, which took place along the same shore the one and only Barbara Streisand resides on.  Aerial photos were taken during this project and among the thousands of homes along the shore that were photographed was Barbara’s.  This is where Mark’s warning comes in: don’t be Barbara.  She was horrified that her home was photographed and immediately sued the research company.  A long story short, Barbara lost the lawsuit and thousands of photos of her home were circulated on the Internet because she stomped her feet and yelled, instead of having an open, positive conversation.

This theory of don’t be Barbara translates perfectly to reviews.  There are going to be negative reviews, but they are nothing to be afraid of.  In fact, Mark shared that during focus groups, consumers do not trust a company that has 100% positive reviews.  Negative reviews are an opportunity for you to have an open, honest conversation with a customer on a public platform, where others can appreciate it.

Reviews should be part of your social strategy and you need to think through your policy and approach in a methodical way.  Don’t just stomp your feet like Barbara.

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