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Creating Music for the Social Web

Social Media Week’s Creating Music for the Social Web panel, hosted by SoundCtrl, took place this morning at Hearst Magazines, the Art & Culture Content Hub for this week’s events. Pitchfork Media President Chris Kaskie kicked off the morning with a keynote speech, where he talked about Pitchfork’s role as a kind of music discovery curator.

In the evolving world of music, where listeners are not only discovering songs and artists through their friends, but also through automated listening processes like Pandora, Pitchfork is using social media in conjunction with its website as a means of maintaining contextual relevancy and trustworthiness for its fans.  Kaskie pointed out how the definition of “music ownership” is changing, and that some day he’ll leave his kids with “logins to cloud accounts and not record collections.” And while it isn’t Pitchfork’s responsibility to figure out how musicians can continue to generate revenue in light of this change in music consumption, he feels it is Pitchfork’s responsibility to cover music that their audience is interested in.

At present, Pitchfork finds that Twitter and Tumblr are two social media networks that augment their audience’s music discovery experience–as platforms to have conversations (Pitchfork.com does not allow user comments) and also to find content that is re-contextualized from Pitchfork.com.

Creating Music for the Social Web
The panel included a range of industry professionals: Jessie Kirshbaum (Nue Agency and SoundCtrl), Maura Johnson (Music Editor at Village Voice), Josh Deutsch (CEO at Downtown Music), Asher Roth (rapper) and Chris Kaskie (President at Pitchfork Media).

The panel, lead by Josh Deutsch, discussed the role that the web has played in the music business. Asher Roth, the only musician on the panel, gave insight into how the musician is tasked with not only creating music, but also navigating the social space in a way that is effective and efficient. Because, as he remarked, it seems that right now there are “so many tools…I just need a knife and a fork.”

Creating music for the social web, however, can be a liberating process. The creative freedom that comes from being unbound by the expectations and constraints imposed by traditional record labels can be a major reward for an artist. Kaskie also pointed out that although there are many record labels doing great things, today people don’t pay as much attention to record labels. The production, distribution and success of an artist all come down to the audience’s interest level in the music and the artist. Fans are often artists’ greatest promoters, taking it upon themselves to tweet, share and blog about the music.  So in essence, all musicians are on the same playing field. There are varying degrees of popularity and production quality, but because musicians now have the ability to create and release songs from their bedrooms, critics like Pitchfork, will treat the music the same.  To quote Maura Johnson, “If the craft is there, it’s there despite the business side.”

Take-Aways From the Panel
The social web continues to create opportunities for musicians. Artists need to be able to find out what works for them. They must be mindful of focusing on those networks that will help achieve their specific goals. As Josh Deutsch answered when asked what the top things an artist should know to get their music in front of the right music curators and editors, “it all depends on who you are as an artist and what you want to accomplish.”

Laurie Amodeo is Senior Community Manager at Big Fuel, where she has worked on social media campaigns for clients such as General Motors, Nutrisystem and H&M. She has also created marketing and social media campaigns for public and private sector organizations including the National Association for the Specialty Food Trade and Peeled Snacks. When she’s not executing innovative social programs for clients, Laurie can be found singing, writing, hooping and cooking with veggies. flavors.me/laurieamodeo

A Student’s Perspective: Reflecting on the 54th GRAMMY Awards

Nikhita Venugopa is a student at Columbia’s School of Journalism. She is one of ten students providing on the ground coverage of SMWNYC- all from the student’s perspective. She is providing her report from Reflecting on the 54th GRAMMY Awards.

The 54th Annual Grammy Awards, held on Feb. 12, 2012, was massively successful on a broadcast platform and in social media, drawing over 3.9 million mentions of their twitter handles. On Wednesday, Day 3 of Social Media Week in New York, Beverly Jackson, a member of the Grammy team talked about the Social, Digital and Mobile initiatives that went into the award show, a record-breaking feat that overtook this year’s Super Bowl numbers.

“We wanted people to be engaged and connected,” said Jackson, speaking at the Hearst Magazine Arts and Culture Hub.

This year’s Grammy Awards didn’t just have a strong presence on Twitter and Facebook, but they were also on Instagram, Tumblr, YouTube and Spotify to name a few. In some songs of the show, you could even use “Shazam,” an app that can listen to a song that’s playing and find it for you, said Jackson. “We wanted to be on every platform that was talking about music,” she said.

Jackson reflected on the previous year’s socialization of the Grammys and their change in strategy since 2009. For the 51st Annual Grammy Awards, the team just “pushed out tweets” without responding to social media comments, said Jackson. This year, they adopted an “interactive and organic” plan, replying to users and encouraging people to use the Grammy hash-tag.

As a result, the Grammy Awards are the number one social TV event, as reported by Mashable, with 13 million social media comments. The buzz peaked at over 65,000 tweets per second during the airing of the live broadcast.

In her presentation, Jackson maintained that they wanted to recognize importance of social media to the music industry. She talked about a new program for bloggers who were experts in a particular genre of music and would respond to tweets and social media comments. So an expert on Americana music could respond to a tweet about the importance of Glenn Campbell’s performance at the Grammys, she explained. Another event organized by Jackson and her team for the Grammy Awards was the 3rd annual Social Media Rock Star Summit that celebrates the influence of social media on the music world and vice-versa. This year’s summit featured the CEOs of Topspin Media, GetGlue, Shazam, and Turntable.fm.

The death of six-time Grammy award winner Whitney Houston was a widely discussed subject on several social media platforms. Jackson said during Jennifer Hudson’s tribute to the singer at the Grammy Awards, the Twitter traffic almost stopped.

“People were putting their keyboards down and sitting back instead of sitting forward,” said Jackson. She believes it was social media’s way of paying respect to Houston.

Jackson ended her talk by commenting on how viewers were not only tuned into the show, but they were also interacting. “It was important to us that people were engaged,” she said.

 

Nikhita Venugopal grew up in Bangalore, India. She moved to New York in July 2011 to attend Columbia University Graduate School of Journalism where she is currently pursuing a master’s degree. Nikhita studied Media and Communications, Psychology and Literature in India and has interned at Ogilvy as a copywriter and Macmillan Publishers as an editor. You can follow her on Twitter at @niks_90.

A Student’s Perspective: Chris Kaskie Keynote with SoundCtrl’s Creating Music for the Social Web

Nikhita Venugopa is a student at Columbia’s School of Journalism. She is one of ten students providing on the ground coverage of SMWNYC- all from the student’s perspective. She is providing her report from Keynote: Chris Kaskie, President of Pitchfork Media followed by SoundCtrl’s Creating Music for the Social Web.

Day Three of Social Media Weekend began at the Hearst Arts and Culture Hub with the keynote speech by Chris Kaskie, President of Pitchfork Media, a Chicago-based webzine and guide devoted to music criticism and news. Kaskie commented on social media’s role in music today and what Pitchfork hopes to achieve through Twitter and Tumblr.

“When it comes to social media, I find myself spending more time trying to figure out how to use it than actually using it,” he said. Kaskie also highlighted the importance of maintaining Pitchfork’s role as a trusted source for music journalism, regardless of their platform of communication.

“The biggest challenge that Pitchfork faces today is the expanding world of music online,” said Kaskie. It’s increasingly common to see people discover music through peer-to-peer interaction and recommendation. “I’m really bummed that when I die, I have to leave my kids logins to my Cloud account and not record collections,” said Kaskie.

The Internet is filled with opinions and comments on music but Kaskie said he hopes that Pitchfork can provide context to “all the noise,” whether it’s on Spotify or Twitter or Facebook. “To me, it’s very social that we’re interacting with people’s social music experience,” said Kaskie.

After Kaskie’s talk, a panel discussion commenced on social media’s effect on the creative process of the music industry. The panel included Kaskie; Maura Johnston, music editor of the Village Voice; Josh Deutsch, co-founder of Downtown Records; rap-artist Asher Roth and moderated by Jesse Kirshbaum, co-founder of Sound Control. In speaking on the role of social media, Deutsch emphasized maintaining the image of a trusted brand, echoing Kaskie’s keynote speech. The panel discussed the differences between creating an album for a major label and a mixed tape for the web. Asher Roth said social media had rewarded music artists by letting them be free. “It’s a more enjoyable experience to create music for just your fan-base,” he said.

From a journalistic perspective, both Johnston and Kaskie agreed that the music’s format does not affect their critique and commentary. “People can make some of the best music in world in their bedroom. It’s a level playing field,” said Kaskie.

Johnston believed that music is visceral and it’s that feeling determines the strength, regardless of whether it’s online or on an album. “It’s the way it hits you,” she added.

However, in response to what they felt was missing from social media, Kaskie said it lacked an editorial, personalized voice. Johnston also commented on the myopic view that can come from the digital world, referring to Spotify, an online music streaming service. She said social media users often forget that there’s more to music than what you can find online.

All four panelists agreed that while social media was a valuable platform for communication, people should step away from it once in a while and explore a world outside Facebook and Twitter. “Go for a walk. Ride a bike,” said Roth. “It’s going to make you a more interesting person. A better tweeter.”

Nikhita Venugopal grew up in Bangalore, India. She moved to New York in July 2011 to attend Columbia University Graduate School of Journalism, where she is currently pursuing a master’s degree. Nikhita studied Media and Communications, Psychology and Literature in India and has interned at Ogilvy as a copywriter and Macmillan Publishers as an editor. She is interested in writing on subjects like education, science, music, arts, social issues and the general eccentricities of the city. You can can follow her on Twitter at @niks_90.

SoundCtrl Presents SMWNYC’s Music Hub

This is a guest post by SoundCtrl.

SoundCtrl is excited to announce our Music Hub at Social Media Week, featuring two days of programming. On Wednesday the 15th at the Hearst Tower in New York City, we will present the panel “SoundCtrl’s Creating Music for the Social Web,” which will cover the evolution of digital tools for music discovery and consumption. Following that will be our panel, “Reflecting on the 54th GRAMMY Awards: Digital Partnerships, Social Media and Innovation,” which will feature Beverly Jackson, the Director of Marketing and Social Media for the GRAMMY Awards.

On Thursday the 16th, SoundCtrl will present our Music Hub at Dominion Theater. The full day of programming will begin at 10:00 AM with “A Conversation with Nick Jonas, Moderated by Jason King.” Jason and Nick will discuss how social media plays into the creative process and identify the most effective platforms to engage and leverage a fan base. Following that will be “Nightlife Disrupt: Social Media’s Impact” at 11:30 AM. Then, at 1:00 PM, SPIN presents “Music Criticism Is Dead; Long Live Music Criticism,” where panelists will discuss the merits of social media and music criticism and consider what the future holds for music journalism.

At 5:30 PM, Translation will present “Connectivity: Discovering the Power of Social Communities in Music.” Experts with perspectives in social discovery, promotion, performance & contest creation will demonstrate how to better leverage relationships in the new music landscape. At 7:00 PM, Zev Norotsky of Elektro Magazine will moderate “I Know The DJ: How Social Media Has Fueled the Explosive Growth of EDM in America.” The evening will wrap up with a cocktail mixer and a DJ set by Junior Sanchez from 8:00 to 10:00 PM.

Learn more and RSVP to any of these events here.

SoundCtrl is NYC’s premiere event platform for the convergence of music and digital media conceptualized by a group of music industry professionals and senior executives in digital media and technology. In addition to building a vibrant online community, SoundCtrl also hosts a series of monthly events featuring industry leaders and New York based music and technology companies.

About a Hub: Art & Culture

This is the first of a part of a continuing series of posts spotlighting our 6 #SMW12 Content Hubs. We’ll be posting profiles of all the hubs throughout this week so keep checking back for more! 

The Art & Culture Hub is your go to location for all things music and tv and funny and style. We’re excited about the eclectic breadth of these events and look forward to seeing you there!

You can view all of the events from the art and culture hub by clicking HERE but check out a handful of our favs below!

On Monday check out The Mobile-Social Living Room a panel on how emerging media is reviving the live television experience from 9-11am. From there, be sure you don’t miss this, newly added to the schedule, keynote by Media Personality and Founder of Abrams Media, Dan Abrams from 12-2pm.  Then spice it up by heading over to a keynote by hip hop legend Jermaine Dupri on Building a Community (3-5pm) before digging into a panel on social sharing and the Art of Doodling from 4:30-5:30pm.

Tuesday morning– get up and at em with a panel on Digital Voyeruism from 9-11am before heading over to a keynote from Entrepreneur Kevin Slatin with a corresponding panel on E-Commerce (12-2pm).  Take a quick lunch break and then head over to The New Ghostwriter  from 3-5pm OR maybe decide that this panel on Social Syndication from 3:30-5:30 is more your style.  No judgement either way.

Okay.  On to Wednesday.  I know, all that and we’ve still got THREE MORE days of events for you. Kick the day off with a Keynote from Chris Kaskie, President of Pitchfork from 9-11am then make your way over to a panel on Street Style blogs from 12-2pm or maybe you’d prefer a discussion on the Grammys and digital from 1:30-2:30pm. I know, it’s a touch decision. I promise. You will survive it.  Once you’ve made that call the rest of the day is easy.  Head straight on over to a panel on how to be funny on twitter from 3-4pm  then take a quick breather before going to a panel on the state of curation.

Phew.

Thursday. I know, I can’t believe it either! Start your day with a keynote from Elisa Camhort with a corresponding panel on Companion TV from 9-11am. Then dive into a keynote from Jonah Peretti founder and CEO of BuzzFeed with a corresponding panel on Start Ups from 12-2pm.  What a morning.

Grab some lunch and recharge before heading over to a panel on Transmedia and Social Media from 3-5pm. After that there’s a panel called IN THE TWITTER KITCHEN: A MODERN COOKIE BAKE-OFF.  It’s happening from 4:30-6:30pm. I’m not going to tell you what it’s about.  You can click through to find out for yourself. But I will tell you that maybe you should go.

Friday? Friday! Already. This week will absolutely fly by but if you’ve waited until the last moment to get your fill of #smw12, no worries, we’ve got you.

Aruba, Jamaica Oo I want to take you to a 9-11am panel on social media and the travel industry in 2012.

Then maybe layover your way into a panel on how entrepreneurship is revolutionizing daily life through social media from 10:30-11:30.

If all this activity is making you hungry then you’re not going to want to miss a panel from 12-2pm that features Robyn O’Brien, Amanda Hesser & Bun Lai followed by a panel on food trends.

One panel left and sure enough we’re ending things off with a bang.  From 3-4pm don’t miss Sex, Drugs, Rock and Roll: Social’s Steamy Side.

Yep. That’s it for this hub.

See you next week.

Keynote Spotlight: Chris Kaskie, President of Pitchfork

Chris Kaskie, President of Pitchfork

This post is a part of a continuing series of Keynote Spotlights– check back here throughout the week for more information on the phenomenal individuals who will be gracing #SMW12 events next week!

You can hear Chris speak, followed by SoundCtrl’s Creating Music for the Web Panel, on Wednesday, Feb 15th from 9-11am at the Art & Culture Hub!

Chris Kaskie is the President of Pitchfork, the essential guide to independent music and beyond. With more than 4 million unique visitors each month and 500,000 visits each day, Pitchfork has one of the Web’s most loyal audiences, and is considered one one of the world’s most popular, respected, and influential music publications. In addition to developing Pitchfork into an internationally renowned online music magazine, Chris runs the company day-to-day and is an architect of Pitchfork’s growth and expansion into other arenas, such as the Pitchfork Music Festivals and Pitchfork.tv. He lives in Chicago with his wife Amy and two children.

Event Spotlight: Fueling Passion for Music Discovery, Hosted by Pandora, Big Fuel and Social Media Advertising Consortium

It’s the second day of Social Media Week and we hope you are all enjoying the awesome panels and parties! Have you been meticulously and strategically planning out your agenda for this week?

Well don’t forget to pencil in this event hosted by Pandora, Big Fuel and Social Media Advertising Consortium:

What is this event called? Pandora Presents: Fueling Passion for Music Discovery

Where am I going? Entertainment, Sports and Gaming Hub at the Red Bull Space

When? Wednesday February 9th from 6-9 PM

What’s this all about? Join industry executives, social media insiders and bloggers to share insights and ideas in a relaxed setting fueled by good music, food and cocktails.

Don’t forget to register here!


Digital Culture NYC: Breaking Down the Walls at MoMA

Amanda Bird is Brand Manager at 360i. You can follow her on Twitter at oiseau678.

I was really looking forward to last night’s event at MoMA and the panelists did not disappoint. As a hard core public radio listener and an art lover and with memberships to most of the major museums on the panel, I was excited to hear first-hand from those who are helping me and other art/music/literature/knowledge lovers connect with the inspirational content coming from these world-renowned institutions. The panel was moderated by Tina Roth Eisenberg of www.swiss-miss.com and featured panelists included:

  • Karen Karp, The Metropolitan Opera
  • Victor Samra, The Museum of Modern Art
  • Benjamen Walker, WNYC Radio
  • Shelley Bernstein, Brooklyn Museum
  • Josh Greenberg, New York Public Library
  • Amanda McCormick, Film Society of Lincoln Center

The first half of the session focused on learning more about each institution’s forays into social media. Some of the programs I was already familiar with (if you don’t follow @brooklynmuseum, I highly recommend you do!), while others were new to me. There were six panelists so for the sake of brevity, I’ll just provide a few of my own personal highlights from what I learned about their current efforts in social media:

  • MoMA on Facebook and Flickr – MoMA’s social media presence is not limited to just these two channels, but their Facebook and Flickr presence stood out to me because they both revealed an important lesson – if you can’t beat ‘em, join ‘em (or have them join you!).Victor recounted his story about getting MoMA on Facebook. Before setting it up a few years ago, MoMA had previously wondered “Why should we do it just because everyone else is on Facebook?” Once convinced it would be a worthwhile effort, they set up a Facebook page only to discover shortly thereafter that a MoMA page already existed on Facebook…and had roughly 12,000 fans. Turns out that while MoMA was debating whether it’d be worthwhile, fans of the museum answered that question for them, devoting time and effort into setting up a page themselves. So in the beginning, the official MoMA Fan page was competing for traffic and fans with the older, more established Fan page. Victor got in touch with the admin of the original fan page (a college freshman without much free time on his hands) and was granted admin rights to control and add content. Later he worked with Facebook to combine the two pages seamlessly, resulting in a page that currently has over 240,000 fans, including yours truly.Similarly, fans were already contributing content about their experiences with or at the museum on Flickr. MoMA has established a Flickr group where people can contribute their photos from visits to MoMA directly to the group and draws from these to find images to feature on its own Web site.
  • The Brooklyn Museum on Building Community – “Community” was a prevalent theme during the panel. Who is the community you’re trying to engage? Accordingly to Shelley, for the Brooklyn Museum they are focused on building a community around the people who are physically local to the institution (aka Brooklynites). For MoMA, their community is lovers of design, photography and modern art globally. To build up your presence in and among the community you have to both listen and proactively participate in the dialogue regularly – dialogue means both responding to your community and providing valuable information to them. Shelley pointed out that having a sustained conversation with your community does not translate to a 9-5 M-F job – she tweets on weekends, in the early morning, late nights – as often as she can in order to quickly and readily answer the community’s questions or put out the insights that they crave from @brooklynmuseum. In addition, the tweets are always from a “person,” such as Shelley herself or one of her colleagues and they make clear that there is a person with a unique POV behind their tweets.
  • The New York Public Library on their Blog – The New York Public Library recently relaunched their site, which they chose to build in Drupal to more effectively aggregate and link their various content sources across their site architecture, according to Josh. He mentions that only 5% of their site visitors are going to the blog, yet those that do are spending twice the amount of time on the site. To keep folks engaged when visiting nypl.org, they’re getting some serious new blogging efforts off the ground. Josh’s goal is to have all of their staff trained and contributing content to their various blogs. No small feat for an institution with hundreds of staffers.

Shelley Bernstein, Josh Greenberg and Amanda McCormick (from right to left) discuss how they’re using social media to connect people with their institutions.

These are just some of the highlights and there were valuable insights from all involved. I’d recommend visiting or participating with any of these institutions and, of course, they’re all on Twitter at @NYPL @WNYC @filmlinc @brooklynmuseum @MuseumModernArt and @MetOpera respectively.

‘What is your $ocial Music Currency?’ Presented by SoundCtrl; Sponsored by dotMusic 2/3/10

dani1About this Social Media Week Guest Blogger: Dani Klein is Founder and Blogger at YeahThatsKosher.com, Founder/Consultant at SocialCity Marketing and Social Media Director at StandWithUs. You can follow Dani on Twitter @YeahThatsKosher.

Ironically held in a space known as “Former Tower Records Space” on Foursquare, ‘What is your $ocial Music Currency?’ discussed the role of Social Media within the music industry. The event was sold out / standing room only, which sure makes me glad I had a press pass.

Admittedly, the music industry is not where I consider myself super-knowledgeable, thus I decided to focus on the words of wisdom relating to social media, marketing and business (which I have a background in).

While the event was advertised as discussing Social Media currency, specifically within the music industry, the panel didn’t really touch on it as much as I would’ve liked. The term “currency” wasn’t really used. Rather they discussed either their personal experiences using social media, mainly Twitter & blogging, or the recent changes to the music industry [caused by technology].

questlove panelThe panel consisted of:

    ?uestLove* – Drummer from the Roots and the Jimmy Fallon Show
    Andrew Katz - Sr. Marketing Manager for Pepsi
    Marisa Bangash- Co-Founder of Uncensored Interview

  • The panel was moderated by James Andrews* – Co-Founder of BeEverywhere.tv
*I found ?uestLove and James to be quite interesting characters.

?uestLove discussed the idea that there is little success in the music biz without a tribe / crew / group surrounding it. Even solo artists have their groups. Today, an artist’s crew could be online (especially with the emergence of social media). Andrew added that the world doesn’t need another Britney Spears or Beyonce. As a brand that is entrenched in the music industry, Pepsi is involved in connecting audiences to different tribes. Artists today need their own social network for them to have worth to brands. Are they involved in the network? Do they embrace social media? Brands are looking for those that do, and piggy back on their success.

?uestLove sees the music labels as the middlemen of the music world, which in essence they are. Marisa added that globally, labels aren’t necessary anymore. Due to the emergence of social media, artists can bring their message directly to the consumer. However, ?uestLove added that as an artist today, you need to do a lot more than just spin or produce… Can you blog? Can you represent your brand? He implied that beyond being a good musician you must also be a good marketer / promoter.

Pepsi uses music to find new ideas. Ideas get voted on, and receive grant money from brand. Artists are encouraged to use their social networks (blog & tweet) to gain votes. Andrew claims that Pepsi is new to Social Media (he named Facebook & Twitter specifically), but an upcoming crowdsourced campaign should boost their presence. According to Andrew: Brands are curators (of content). It is easy to sponsor content, much harder to be a creator of content.

Marisa discussed the licensing of indie music by big brands. Brands & bands can go hand in hand, especially if it is organic and authentic.

As a popular tweeter, ?uestLove (~1.3M followers) has been approached by companies to tweet, which he deemed a bit scary. A quarter million dollars is a large carrot to push a brand’s content. (It seems he hasn’t taken a bite, although he said he may sell eventually sell out to Twitter, but not yet). ?uestLove uses Twitter to push new music & bands, and demos that come his way. Causes are important, but can be problematic if they are not properly vetted. This is similar to what I heard Monday evening at the Social Media & Haiti event.

In response to an audience question, ?uestLove noted that Business, Art, and Commerce are a dirty combo. Concerning blogs he mentioned that journalists / writers today are lazy since they are copying content from popular music blogger and just re-purposing the content. This leads to writers not forming their own ideas, which is dangerous. Andrew added that blogs are the new [music] charts. Marisa added that blogs have replaced print and magazines; magazines folded because of blogs, which today has become a crowded space.

And finally, to wrap up the review of the event, the best quote went to an audience member: “Fans today are no longer clapping, but rather are Tweeting.” Too true.

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