Social Media and Pop Culture Consciousness: Keynote with Andrew Jarecki of HBO’s “The Jinx”

The shocking finale of HBO’s The Jinx unleashed a tidal wave of reactions, controversy, and spoiler-alert headlines. But, how much did the chorus of Tweets, blog posts and Facebook updates play a role in that collective gasp?

The Jinx Director, Andrew Jarecki, will discuss social media’s role in how fans experienced it before, during and after the now-infamous hot mic scene, as well as unveil never-before-seen footage from the show.

Register your pass for SMW New York, and come hear Andrew’s keynote, “Keynote: How Social Media Manifests our Pop Culture Consciousness, Featuring The Jinx Director Andrew Jarecki” on Friday, February 26th at 1:30pm at The TimesCenter

Image Credit: Esquire

Reverend Jesse Jackson To Keynote At #SMWNYC

As founder and president of the Rainbow PUSH Coalition, civic rights leader Reverend Jesse Jackson has taken tech companies to task in recent months, pressuring tech giants such as Google, Facebook, Twitter and eBay to publish reports detailing their employee demographics.

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Now, the former presidential candidate is bringing his message to Social Media Week New York on Wednesday February 25, to explore why diversity in tech matters.

Reverend Jackson joins an amazing lineup of speakers during Social Media Week New York, including:

Check out the latest lineup of speakers and events here, then get excited to join us for a week you won’t forget. Grab your pass to get full access to SMWNYC!

A Student’s Perspective: Jonah Peretti, BuzzFeed CEO, discusses the state and future of our social world

Donovan X. Ramsey is a student at Columbia’s School of Journalism and one of ten students providing on the ground coverage of SMWNYC.

Jonah Peretti, Founder and CEO of BuzzFeed, took to the stage at Social Media Week NYC recently to discuss online trends and the future of content sharing. With Facebook going public and the relative success of new sites like Pinterest, it’s an important, big question and one that Peretti might be qualified to answer. In a packed auditorium at the Hearst building in Manhattan, he rolled out his vision.

“There’s a big shift happening and we’re at the beginning of it,” he said. “There are still industries to be disrupted. You need to think from the perspective of a user that wants to share something…The real key to a lot this stuff is emotional intelligence.”

Peretti cofounded the Huffington Post, a site that has revolutionized blogging and news online by mixing the two. Now he runs BuzzFeed, a hub for headlines like “Goat Massage” and “40 Things That Make Corgis Happy,” based on a type of emotional intelligence. In his address, Peretti referred to BuzzFeed as a “giant content site for the social world.” He described this world as one identified typically through social networking sites Facebook and Twitter but getting more social by the minute.

The socialization, so to speak, of content online happened in stages, according to Peretti. The first stage was that of portals like Yahoo, which catered to a general audience. They were the sites, with big home pages and categories, through which users had to go for content. The next step was the search stage. Think Ask Jeeves and About.com. Users began finding content by requesting it. The Internet was opening up and users were starting to have an influence on the creation and promotion of content. That led to the social stage.

He said one of the most interesting trends he’s spotted in the social stage is the tide of users who go to BuzzFeed looking for something to share on their Facebook pages. He said it represents a shift from how content was consumed before. It’s a sign that the audience sees themselves less as just that. They’re aware that they’re more than an audience. They’re participants.

Peretti’s big prediction was the streamlining of content online. “Facebook is the best example of content expanding from friend updates,” he said. “As Facebook matures, there’s news now and people are getting comfortable with a social world where everything their friends care about is mixing together.” In preparation for this, BuzzFeed has made changes like the addition of ex-Politico writer, Ben Smith as editor-in-chief. Their first scoop with Smith was Sen. John McCain’s endorsement of Mitt Romney. According to Peretti, BuzzFeed beat CNN by 30 minutes.

His strongest case study seemed to be his own company. BuzzFeed, with its simple headlines and variable content, is mostly directed by the interests of its users and their reactions to content all over the World Wide Web. In fact, the site goes as far as to organize content into categories based on users’ reactions. With one click, you could vote something as a “fail” and with another, browse a lists of “wins.”

During the presentation, Peretti brought up a slide of basset hounds running, their droopy folds flapping in the wind. He said such content is decidedly shareable because of its common appeal. It can go onto your best friend’s Facebook wall or be sent to your grandmother in an email. The key to creating sharable content in the social age is finding material that defines a moment, said Peretti. “Let the user become invested in the story…People are the gatekeepers in the social media world, not Google’s algorithm.”

Creating Music for the Social Web

Social Media Week’s Creating Music for the Social Web panel, hosted by SoundCtrl, took place this morning at Hearst Magazines, the Art & Culture Content Hub for this week’s events. Pitchfork Media President Chris Kaskie kicked off the morning with a keynote speech, where he talked about Pitchfork’s role as a kind of music discovery curator.

In the evolving world of music, where listeners are not only discovering songs and artists through their friends, but also through automated listening processes like Pandora, Pitchfork is using social media in conjunction with its website as a means of maintaining contextual relevancy and trustworthiness for its fans.  Kaskie pointed out how the definition of “music ownership” is changing, and that some day he’ll leave his kids with “logins to cloud accounts and not record collections.” And while it isn’t Pitchfork’s responsibility to figure out how musicians can continue to generate revenue in light of this change in music consumption, he feels it is Pitchfork’s responsibility to cover music that their audience is interested in.

At present, Pitchfork finds that Twitter and Tumblr are two social media networks that augment their audience’s music discovery experience–as platforms to have conversations (Pitchfork.com does not allow user comments) and also to find content that is re-contextualized from Pitchfork.com.

Creating Music for the Social Web
The panel included a range of industry professionals: Jessie Kirshbaum (Nue Agency and SoundCtrl), Maura Johnson (Music Editor at Village Voice), Josh Deutsch (CEO at Downtown Music), Asher Roth (rapper) and Chris Kaskie (President at Pitchfork Media).

The panel, lead by Josh Deutsch, discussed the role that the web has played in the music business. Asher Roth, the only musician on the panel, gave insight into how the musician is tasked with not only creating music, but also navigating the social space in a way that is effective and efficient. Because, as he remarked, it seems that right now there are “so many tools…I just need a knife and a fork.”

Creating music for the social web, however, can be a liberating process. The creative freedom that comes from being unbound by the expectations and constraints imposed by traditional record labels can be a major reward for an artist. Kaskie also pointed out that although there are many record labels doing great things, today people don’t pay as much attention to record labels. The production, distribution and success of an artist all come down to the audience’s interest level in the music and the artist. Fans are often artists’ greatest promoters, taking it upon themselves to tweet, share and blog about the music.  So in essence, all musicians are on the same playing field. There are varying degrees of popularity and production quality, but because musicians now have the ability to create and release songs from their bedrooms, critics like Pitchfork, will treat the music the same.  To quote Maura Johnson, “If the craft is there, it’s there despite the business side.”

Take-Aways From the Panel
The social web continues to create opportunities for musicians. Artists need to be able to find out what works for them. They must be mindful of focusing on those networks that will help achieve their specific goals. As Josh Deutsch answered when asked what the top things an artist should know to get their music in front of the right music curators and editors, “it all depends on who you are as an artist and what you want to accomplish.”

Laurie Amodeo is Senior Community Manager at Big Fuel, where she has worked on social media campaigns for clients such as General Motors, Nutrisystem and H&M. She has also created marketing and social media campaigns for public and private sector organizations including the National Association for the Specialty Food Trade and Peeled Snacks. When she’s not executing innovative social programs for clients, Laurie can be found singing, writing, hooping and cooking with veggies. flavors.me/laurieamodeo

Avoiding The Pitfalls While Pushing Forward In A Brave New World

As Brand Channel Manager at pure-play social media agency Big Fuel, Ross Sheingold focuses on trying to keep the “social” in social media by creating lifestyle content that consumers actually care about. Aside from the four years spent at Penn State University, Ross has been a New Yorker living in Manhattan for the whole of his nearly 30 years on the planet. When he isn’t staying up to date on the current digital and social media trends and “geeking out” on the latest tech gadget, he spends time on his fan advocacy cause as the man behind @StadiumInsider. You can follow Ross on Twitter @RossSheingold and on Google+ http://gplus.to/RossS

Social Media Week 2012 NYC started strong on Monday morning with a keynote by David Eastman, CEO of JWT America and a thought-proving presentation by Ann Mack, JWT Director of Trendspotting. Both Eastman and Mack touched on the fundamental shift in the ways consumers are connecting with brands, while providing marketers with ways to prepare for potential pitfalls that lie ahead such as “Facebook Fatigue, “de-teching” and “hyper-personilization” pushback.

Eastman discussed the perils of lazy social marketing (the false notion that “nobody ever got fired for marketing on Facebook”) and the importance of tapping into consumer passion points. Much to the delight of seasoned social media professionals, Eastman urged brand marketers to have genuine conversations with customers – if messaging is uninspired or boring, people will doze off. And this doesn’t only apply to what happens on social media channels. Eastman argued that “social” media should roll up into digital and any other form of media, even suggesting that next year’s “Social Media Week” should just be called “Media Week.” Mack would later support this by touching on the opportunities that exist with social commerce and integrating interactive screens in brick and mortar retail.

Eastman also didn’t shy away from sharing strong opinions on hot button items such as Facebook’s frictionless sharing and the rapid growth of Pinterest. Engaging social experiences are key, and to Eastman, Facebook’s frictionless sharing almost feels like spam. In his words “sharing should be active, otherwise it is meaningless.” As for Pinterest, he recognized that “pinning” has hit the mainstream, but isn’t sold on the long-term value. To Eastman, “over-pinning” is something to look out for – Pinterest might make it hard to separate what people really care about, the same way “over-friending” on social networks has devalued friendship.

Ann Mack followed with a lively presentation touching on social media trends to look out for in 2012 and beyond. As she said, “conspicuous living” has reached an all-time high. Between social media, the advancement of mobile technology and location based services, there is a radical transparency in all of our lives. This way of life is actually leading to social angst, a result of FOMO (fear of missing out). “Radical transparency remorse” (did I really tweet that last night?!) is becoming more prevalent and people are starting to become wary of the opt-out data culture that companies like Facebook have embraced. All of this can lead to “Facebook Fatigue” and eventually “de-teching” a very real concept that will only grow stronger as fledgling social networks such as Google+ and Diaspora gain more mainstream exposure.

Mack also warned about user pushback against “hyper-personalization” while discussing what she called “The Filter Bubble.” From ads on Facebook to news stories curated through Zite all the way to search results from Google Search Plus Your World, personalization has become the norm in our digital world. In a recent JWT study, 69% of respondents stated that they felt this tailored content was useful, but 79% said they’d prefer to see things through an unfiltered lens. Meanwhile, 86% were curious about what is being left out when content is tailored to them. “Reengineering randomness” by providing different POVs and serendipity is a trend that has caught on with social services such as Meetup.com, Grubwithus, Yobongo and Turntable.FM. Consumers will continue to expect personalization, but also want the option of randomness – it’s a delicate balance.

Both Eastman and Mack made it very clear that none of this is going to end “social” commerce – it will only enhance it. Human beings are wired to socialize and will continue to do so with the means they are provided. The key for brands and marketers is to create a message that drives people to socialize and overlay the social graph across the digital experience. Brands should use social as a driver for good, advocate for opt-in instead of opt-out data and should experiment with social commerce, collaborative consumption and digital integration at retail.

New York’s Initial Schedule

Today marks an important date for Social Media Week New York, as we unveil our initial schedule for the week!

But before we get to what we are lining up for you, we have some pointers to share first. We’ll officially open registration January 17th but as the weeks go by, you can get ideas from events that others have posted and add current events to your favorites to save time once registration opens.

Signing up is simple:
1) Create an account- or if you already have one, just log in
2) Filter events by city or category
3) Select the events to add my clicking on “favorite”
3) Review your favorites in “My Events” section

You can continue to update and amend your favorites until registration opens on January 17th.

And now for the good stuff. You can find the full schedule here, but to help get you started, we’ve listed out some of our top picks. Over the past few weeks, we’ve been working to curate some of the top leaders in various industries, offering a great selection of keynotes to our New York attendees.

So, we’re very excited that notables like
Social Media Week Global Curator and author Don Tapscott
Jeff Dachis, Co-Founder of Dachis Group and former Chairman of Razorfish
Writer and Thinker on cultural sharing- and Neil Postman Award winner- Doug Rushkoff
Jeremy Gilley, Founder of Peace One Day
and Chris Kaskie, President of Pitchfork Media and music & media leader will be joining us.

In addition, we’re seeing some exciting events from the community. Pratt Brainwaves offers fans of Information and Library Science an opportunity to network and share their experiences with each other. And Managing Social Media on a Global Scale brings in senior corporate marketing leaders to share best practices for stepping outside the US online.

We can’t wait to see what other events get added to the list as we move forward. In the meantime, add your favorites to your queue and help spread the word!